A concert grand piano in a minimalist hall

Introducing the Octave Opus I

Most pianos are made.
Ours are composed.

Three years from raw spruce to first chord. A single instrument, built by two hands, voiced to one owner. Not a product line — a commission, signed and numbered, tuned for the century.

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Chapter I

An instrument, not an appliance.

In an age of sampled sound and disposable design, Octave was founded on a single, quiet conviction: to build instruments of permanence.

There is no production line. Each grand is built in our Vienna workshop by a master builder and a voicing artist working in absolute tandem — from the felling of the soundboard tree to the final regulation of the action.

"We do not build for a recital. We build for the century."— Henri Vaudron, Master Builder
01

Timber of Tone

We season our soundboard spruce for a decade before it is touched. Close-grained, high-altitude, split — never sawn — so the grain runs true and the board sings as one.

02

Regulated by Hand

Every one of the action's thousands of parts is weighed, balanced, and regulated by hand to a uniform touch — the difference between playing a piano and conversing with one.

03

Purely Acoustic

No amplification, no electronics, no shortcuts. Tone is shaped only by geometry, tension, and timber — physics rendered as music.

04

Lifetime Voicing

Every Octave owner receives lifetime access to our travelling voicing artists, who return to re-regulate and re-voice the instrument as the timber matures.

Chapter II

The Anatomy of Tone

Draw the slider to disassemble the instrument layer by layer. Hover or tap each element to examine the craft beneath the lacquer.

caseO
I. The Lacquered Case
boardO
II. The Resonant Soundboard
actionO
III. The Hand-Regulated Action
plateO
IV. The Cast-Iron Plate
Cross-Section20%
Assembled GrandExploded Anatomy
CONSTRUCTION TELEMETRY

I. The Lacquered Case

Up to sixty layers of hand-rubbed polyester lacquer over book-matched veneer, mirror-polished across three weeks to a flawless, liquid depth.

II. The Resonant Soundboard

A single book-matched panel of close-grained Alpine spruce, tapered by hand and crowned under tension to breathe as one living membrane.

III. The Hand-Regulated Action

Eleven thousand parts of pear-wood, felt, and leather — each key weighed, balanced, and voiced to a uniform touch measured in fractions of a gram.

IV. The Cast-Iron Plate

A single sand-cast iron frame bearing over twenty tonnes of string tension, bedded into a laminated maple rim for absolute pitch stability.

Chapter III

The Voice of the Timber

The soundboard is the instrument’s lung. Each spruce has its own grain, density, and speed of sound — and therefore its own voice. Select a board to hear how its character renders below.

ACTIVE BOARDVal di Fiemme Alpine Spruce
Character: Singing Sustain
Harmonic Pitch1.5 kHz
Resonant Sustain40 dB

A warm, blooming fundamental with a long, even decay. The classical voice — rounded, vocal, and endlessly forgiving in the upper registers.

Chapter IV

A Lineage of Sound

This voice was not found overnight. Trace the breakthroughs that shaped the Octave grand.

1971

The Vienna Bench

Founder Henri Vaudron apprenticed under the last of the city's imperial piano builders, learning to crown a soundboard by ear and thumb alone — a method never written down.

Origin

The atelier's first grand was built from a single felled spruce over fourteen months.

2004

The Tension Plate

After two decades, the workshop perfected its sand-cast iron plate and laminated maple rim — holding twenty-one tonnes of string tension with pitch drift measured in cents per year.

Breakthrough

Achieved tuning stability of under 2 cents annual drift across the full compass.

Present

The Numbered Commission

Octave now builds a limited fifty instruments each year, each signed, numbered, and assigned a lifetime voicing artist. Found in conservatories, concert halls, and private salons worldwide.

Today

Every grand carries a unique registry block, hand-signed beneath the soundboard.

The Builder’s Bench

Where geometry becomes music.

Step inside the Vienna workshop of master builder Henri Vaudron. The scale design — string lengths, bridge placement, soundboard taper — is drawn by hand before a single board is pressed.

Henri Vaudron, master builder

Henri Vaudron

Founder & Master Builder

SCALE DESIGN: OPUS I9' 2" CONCERT GRAND
SPEAKING LENGTH · A0 → C8
“The curve of the rim is not aesthetic. Every millimetre sets the speaking length of a string, and with it, the colour of a note.”
OCTAVE
The Atelier Commission

Commission Your Grand

Every Octave is built to commission. Specify the case, the keyboard, and the hardware below to generate your build certificate and estimate.

Max 40 letters. Hand-inlaid in mother-of-pearl.
COMMISSION SUMMARY

OCTAVE OPUS I

Baseline Instrument$85,000
Ebonized High-PolishIncluded
Polished Ebony NaturalsIncluded
Satin Nickel LyreIncluded
Commission Estimate$85,000

Generating a certificate opens a private line to our concierge for salon auditions and build scheduling.

PreviewFree demo — not yet live.

Make it live — $149/mo